Lieux Communs : Quentin Dubost solo
Second night at Instants Chavirés features 2 solos of very different nature, the first of which is a solo by parisian guitarist Quentin Dubost.
A lesson of what you can do with one electric guitar string (the low E string), a bow, and a few clips that serve as mutes. Almost the whole solo was played in this very restricted region of the instrument. Simple very precise gestures, variations through different string tensions and open/muted positions, modulations of frequencies and textures, occasional white and harsh noise interventions and cracklings inside an overall multiphonic wave created by the bowing that takes place near the guitar's neck. In the very begining Dubost uses a fan, not touching the string but who's rotation is picked up by the lower microphone producing a very subtle flapping that works as a supportive layer for the rest of the music.
The result oscillates between sheer beauty and noise, allowing all amateurs of untypical electric guitar to merge into the sound introspectively.
Halfway through the sound becomes more sparse and less drony and at some point it seems the amplifier looses it's power (this was confirmed to me by Quentin later on, some kind of connection failure within the amp.), a blurry section ensues and the concert seems to head towards a dead-end. But this is when Dubost plays one of his most beautiful sounds: a very low volume but high velocity beating on the guitar's mike, very discreet but quite unique.